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・ Siccia butvilai
・ Siccia caffra
・ Siccia chogoriae
・ Sibylla (Sikelianos)
・ Sibylla Budd
・ Sibylla Emily Maude
・ Sibylla of Acerra
・ Sibylla of Anhalt
・ Sibylla of Anjou
・ Sibylla of Armenia
・ Sibylla of Burgundy
・ Sibylla of Burgundy, Duchess of Burgundy
・ Sibylla of Lusignan
・ Sibylla pretiosa
・ Sibylla Rubens
Sibylla Sambetha
・ Sibylla Schwarz
・ Sibylla, Queen of Jerusalem
・ Sibylle Baier
・ Sibylle Berg
・ Sibylle Bergemann
・ Sibylle Blanc
・ Sibylle Brauner
・ Sibylle Canonica
・ Sibylle Christine of Anhalt-Dessau
・ Sibylle Elisabeth of Württemberg
・ Sibylle Günter
・ Sibylle Laurischk
・ Sibylle Lewitscharoff
・ Sibylle Matter


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Sibylla Sambetha : ウィキペディア英語版
Sibylla Sambetha

''Sibylla Sambetha'' (or simply ''Portrait of a Young Woman'') is a small oil on oak panel painting by Hans Memling, completed in 1480 and still in its original frame. It is now in the Hans Memling museum at the Old St. John's Hospital in Bruges and shows a young woman who is not pretty,〔Michiels, 127〕 but nonetheless elegant and well dressed. She is set against a black background and looks out of the picture as if she is at a window.〔"(Hans Memling and His Art )". De Digitale Bibliotheek voor de Nederlandse Letteren. Retrieved 30 March 2014〕 Her hands are folded and rest on the lower border of the brown marbled frame, in an early and effective example of trompe-l'œil.
The woman's identity is lost. There have been a number of attempts to associate her with a historical person, including in the 19th century, as Willem Moreel's daughter Mary. Willem Moreel was a magistrate of Bruges who commissioned from Memling a portrait diptych and, later, a triptych〔Blum, 98〕 for the Church of Saint James at Bruges which he had founded. But any identities have in turn been rejected; in the case of Mary Moreel, she would have been too young in 1480 to be the woman portrayed.〔Ridderbos et al, 432〕
The sitter wears a truncated hennin under a sheer veil which falls across her face and over her shoulders. She has very pale skin, and a fashionably high forehead, with her hair tightly pinned to fit under the head-dress. Her dress is dark purple or black – the colours have darkened from their original blue – with a white collar above a red breastplate or bodice.〔
The lower border of the frame contains a carved banderole with an inscription reading SIBYLLA SAMBETHA QUAE / EST PERSICA; associating the woman with the Persian Sibyl. A painted metal cartouche placed at the top left of the picture is a later addition, and contains the words "SIBYLLA SAMBETHA QVAE ET PERSICA, AN: ANTE CHRIST: NAT: 2040" (''The Sibyl Sambetha, the Persian, in the year 2040 BC'').〔Eemans, 24〕 The scroll at the end of the frame bears another later addition, the text of which denounces the Sibylla with the words ECCE BEAST CONCVLCABERIS, GIGNETVR D [OMINJV (S) IN ORBEM TERRARVM ET GRIMIVM VIRGINIS ERIT SALVS GENTIVM, INVISIBLE VERBVM PALPABITVR (''Here let the serpents be trampled under your talon, let the Lord be born in the earthly realm, and the Virgin's breast become the world's salvation: the invisible verb will be palpable'').〔
==References==


抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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